Barber. Violin Concerto. Shostakovich. Violin Concerto No. 1 in A Minor, Op. 99. London Symphony Orchestra. Nadja Salerno-Sonnenberg on violin. EMI Classics. 1992.
So when I set out to write this post uhhhhhhhhhh like months ago? Yeah months, the plan was to detail a sad/gallant tale of capitalism versus communism, of how strife produces beauty, to perhaps begin understanding why there are relatively few well-known American composers. And I guess it’s still about that, but after my customary bit of internet research, it also morphed into a little bit of a “trust, but verify” story, no matter how solid you may think your knowledge is.
The liner notes here detail how the Barber and Shostakovich works on this CD share the commonality of a “difficult birth, though the difficulties were as different in nature as the works themselves.” That bit about different difficulties has got to be one of the great liner note understatements of our time. Continue reading